{"id":88,"date":"2025-07-15T17:54:08","date_gmt":"2025-07-15T17:54:08","guid":{"rendered":"http:\/\/mona"},"modified":"2025-08-22T19:03:38","modified_gmt":"2025-08-22T19:03:38","slug":"blog-post-title-5","status":"publish","type":"post","link":"https:\/\/sequencesephemeres.com\/en\/blog-post-title-5\/","title":{"rendered":"Immersive Experience: between heritage, memory and new technologies \u2728"},"content":{"rendered":"

What an adventure!
As part of the Ephemeral Sequences<\/strong>we continued our collaboration with Charles<\/strong> around itsimmersive virtual reality experience<\/strong>which aims to promote Martinique's heritage. In particular, this creation explores the period of the Occupation and how it was experienced on our territory.<\/p>\n\n\n\n

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For this new stage, we have organized a double studio session<\/strong> with new participants - artist friends of Charles - as well as the return of our young actor. An opportunity to see, once again, how motion capture can bring together a variety of profiles and offer them an unprecedented creative space.<\/p>\n\n\n\n

But this time, the adventure didn't stop at the studio.
For the first time in our creative activities, we also produced Ephemeral Sequences<\/strong>a on location service (\"on location\")<\/strong>. The filming took place in a house in the Balata<\/strong>the former home of the subject of the immersive experience, restored with funds from the Heritage Loto<\/strong>.<\/p>\n\n\n\n

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A highlight: crossing paths with a historic place of remembrance<\/strong>a restored heritage<\/strong> and the creation of a new digital heritage<\/strong> through immersive technologies. It's heritage in a cube!<\/p>\n\n\n\n

We were magnificently welcomed by the owners, who even invited us afterwards to share a convivial moment in the company of the directors of the Netflix production recently filmed in Martinique.<\/p>\n\n\n\n

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For Georges-Emmanuel Arnaud<\/strong>Anisotropie's artistic director, it's a dream that's taking shape: to see the emergence, through these actions, of a dynamic where heritage and technology meet, where markets that are still in their infancy are sketched out, where fruitful encounters take place and open up new perspectives.<\/p>\n\n\n\n

This dynamic feeds our conviction: yes, subsidies are necessary and precious, but our project can and must become self-sufficient<\/strong> (self-sustainable<\/em>). By creating services, promoting Martinique and its culture, and building a local ecosystem around motion capture and immersive experiences, we're laying the foundations for a future where the association Anisotropy<\/strong> will be able to stand on its own two feet.<\/p>\n\n\n\n

One step closer to this vision, and one that fills us with gratitude and enthusiasm.<\/p>","protected":false},"excerpt":{"rendered":"

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